Pro Audio Design Forum

Think about that again. S only changes LR orientation. R polarity changes mid pattern on the 8 side.

RAW to a wild recorder is easily synced for post, I have to do that all the time. The ability to split it from the same encoder, no matter where it goes, is what seems important. I wasn't thinking of a polarity control for side - I'd swap the pan orientation at the console or swap the cables - but o...

Yes, 5 outputs covers raw and encoded MS. Ideal. The raw can always go to a separate free-sync recorder in a limited console input situation. Agree on +/- 6 control for F and R, though it would be redundant on S if there was a width control. One or the other. Pattern control only on the LR. True on ...

I have the variable MKH 800 Twin, and several other mics like it, but I can't use them for DMS in a live mix with most digital consoles. A stepped switch that covers those patterns and those in between would inspire confidence and provide flexibility, though a fully variable tight tolerance pot woul...

Pages 5 and 6 here detail the gain and polarity changes:

https://assets.sennheiser.com/global-do ... ual_EN.pdf

That is a way to do it, and probably more in line with what many will want. I am working in stereo, so to me the main thing missing is the mid pattern control, and perhaps that's better as it's own module. Something to sweep between all available patterns, so gain manipulation per channel at line le...

I forget about surround using mid front as center, and it’s interesting they do a split for that.

Now that I’ve started taking dual mid-side mic rigs to live broadcast events, it has stood out that there do not seem to be any products addressing dual mid-side. Standard MS is problematic enough with digital consoles, most have no way to encode so at best you capture for future post, unless you ad...

Nice

This is a very interesting tool that I lack a use for. It's still great to think through the unintended results of straight mono summing versus this. I recently mixed a stereo webcast that was encoded in a camera for transmission, and the mono switch was accidentally deployed by the video tech; had ...